1996 - SBS 除夕特别电视剧 　　19世纪中期到20世纪中期，是韩国发生翻天覆地变化的时期，《一个女人的一生》虽然取材于这个时期，却并不去描写那些历史事件，而把笔墨花在一个普普通通女人的一生经历上，以小见大，论尽春秋。 　　从小就是童养媳的女主角接求学的丈夫回家，大男子主义的丈夫根本不理会她，已有身孕的她艰难地提着箱子跟在后面，丈夫的好友转身回来，默默接过她手里的箱子，他高大温暖的身影从此成了她在荒乱年代唯一的隐秘的希望。在听到心上人战死之后，她以不屈的意志和母性的胸怀照顾丈夫的情人，并抗起整个家庭的重担。

1996 - SBS 除夕特别电视剧 　　19世纪中期到20世纪中期，是韩国发生翻天覆地变化的时期，《一个女人的一生》虽然取材于这个时期，却并不去描写那些历史事件，而把笔墨花在一个普普通通女人的一生经历上，以小见大，论尽春秋。 　　从小就是童养媳的女主角接求学的丈夫回家，大男子主义的丈夫根本不理会她，已有身孕的她艰难地提着箱子跟在后面，丈夫的好友转身回来，默默接过她手里的箱子，他高大温暖的身影从此成了她在荒乱年代唯一的隐秘的希望。在听到心上人战死之后，她以不屈的意志和母性的胸怀照顾丈夫的情人，并抗起整个家庭的重担。

Originally made as a silent film, Odna was released in 1931 as a 'sound' film – which differs from a talkie because although there are sound effects in the film, there is no synchronised dialogue and it was intended to be performed with an orchestral accompaniment using a score by Shostakovich. After it fell into political disfavour the film was archived in the Lenfilm complex, which was destroyed during the siege of Leningrad. Fortunately, although much of the score was lost, all but one 8-minute reel survived, as did the full score for the missing reel. Mark Fitz-Gerald and colleagues, with the encouragement of Shostakovich's widow, completed the restoration of the original score in 2003. It was first performed in the Netherlands and has also been performed in France, Switzerland and Germany. I attended the London Premiere on 10th February 2006. 　　Normally, a review relates to an experience that can be shared subsequently by any cinema-goer, or watcher of DVDs. A live concert performance (the BBC Symphony Orchesttra conducted by Mark Fitz-Gerald) is different. The entire orchestral performance and live sound effects such as the throat singer, Theramin and Harmonium will not be constant factors - which is why performances of great musical works are reviewed repeatedly. The performance I experienced may be different from what you experience. For me, what might have been a rather sentimental ending was transformed by the 'buzz' of the live musical climax (the entire restored score was performed, with titles explaining the action of the missing reel). 　　A notable feature of the film was the superb natural performance of the 'actors' (including a real shaman performing a real ritual) with none of the exaggerated eye makeup of 'Napoleon' and the German expressionists. Such a live performance converted a good propaganda film into something more sublime and an experience that should not be missed if the opportunity is repeated.

Originally made as a silent film, Odna was released in 1931 as a 'sound' film – which differs from a talkie because although there are sound effects in the film, there is no synchronised dialogue and it was intended to be performed with an orchestral accompaniment using a score by Shostakovich. After it fell into political disfavour the film was archived in the Lenfilm complex, which was destroyed during the siege of Leningrad. Fortunately, although much of the score was lost, all but one 8-minute reel survived, as did the full score for the missing reel. Mark Fitz-Gerald and colleagues, with the encouragement of Shostakovich's widow, completed the restoration of the original score in 2003. It was first performed in the Netherlands and has also been performed in France, Switzerland and Germany. I attended the London Premiere on 10th February 2006. 　　Normally, a review relates to an experience that can be shared subsequently by any cinema-goer, or watcher of DVDs. A live concert performance (the BBC Symphony Orchesttra conducted by Mark Fitz-Gerald) is different. The entire orchestral performance and live sound effects such as the throat singer, Theramin and Harmonium will not be constant factors - which is why performances of great musical works are reviewed repeatedly. The performance I experienced may be different from what you experience. For me, what might have been a rather sentimental ending was transformed by the 'buzz' of the live musical climax (the entire restored score was performed, with titles explaining the action of the missing reel). 　　A notable feature of the film was the superb natural performance of the 'actors' (including a real shaman performing a real ritual) with none of the exaggerated eye makeup of 'Napoleon' and the German expressionists. Such a live performance converted a good propaganda film into something more sublime and an experience that should not be missed if the opportunity is repeated.

影片根据史蒂芬·金的同名短片小说改编，以三幕倒叙的方式，讲述查尔斯·克兰兹的一生，以他39岁因脑瘤去世为开端，以他在闹鬼的房子里度过的童年时光为结尾。

在大都会盘桓多年的堂菌鸫美（荣仓奈奈 饰）身心疲惫，她辞掉工作后默默回到老家，与祖母十和相守度日。不过随着祖母的去世，鸫美重新被抛入孤独和悲伤之中。某个夜晚，一个中年男子不请自来出现在鸫美的家中。对方名叫海江田醇（丰川悦司 饰），自称是角岛大学哲学系教授，此前一直跟随鸫美的祖母学习印染技术。他拥有老房子的钥匙，并且全然没有离开的意思。海江田率真耿直，且个性毒舌，令鸫美不胜其扰，他甚至四处乱说会和鸫美结婚。但在磕磕绊绊的相处过程中，他们之间的距离似乎悄然地缩短了…… 　　本片根据西炯子的同名漫画改编。

在大都会盘桓多年的堂菌鸫美（荣仓奈奈 饰）身心疲惫，她辞掉工作后默默回到老家，与祖母十和相守度日。不过随着祖母的去世，鸫美重新被抛入孤独和悲伤之中。某个夜晚，一个中年男子不请自来出现在鸫美的家中。对方名叫海江田醇（丰川悦司 饰），自称是角岛大学哲学系教授，此前一直跟随鸫美的祖母学习印染技术。他拥有老房子的钥匙，并且全然没有离开的意思。海江田率真耿直，且个性毒舌，令鸫美不胜其扰，他甚至四处乱说会和鸫美结婚。但在磕磕绊绊的相处过程中，他们之间的距离似乎悄然地缩短了…… 　　本片根据西炯子的同名漫画改编。

Through our subject Adam, we reveal the incredible changes and forces that take all humankind from Cradle to Grave.